Stamp Album

November 12, 2014 § Leave a comment

I don’t usually shill, but I am excited to pick this one up. Michael Tilson Thomas and the San Francisco Symphony (full disclosure: I worked in their archives for a few years – a dream job if there ever was) have taken the old idea of short form classics and released a new album full of them. The longest piece is the Mahler – go figure – at 8:28, but most clock in around six and a half minutes, exactly the length of your next student film.

Red vinyl, please.

The suits in the suites may not get it, but this would make a splendid box set of 7″ vinyl. The Mahler Cycle LP Box sold out – why not? It would also be a nod to the historical relevance of the format. The 7 inch “Extended Play” disk was a crossing-over point from cumbersome 10 and 12 inch 78s to convenient 12 inch albums.

Deutsche Grammophon 7″ Image borrowed from shakedownrecords.com

The popularization of orchestral works we now take for granted happened in mid-century living rooms where people sat in front of furniture with built-in phonographs. No home was without at least one classical music album, and often that one album was a selection of short works or excerpts. The “sampler” was a standard marketing tool, usually available at a low price. Other compilations were programs, high brow mood music. ¬†Masterpieces in Miniature seems related to these types of releases, especially in light of the SF Symphony’s previous offering – a new version of the other album found on every 20th century hi-fi.

Borrowed from eil.com

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